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WOMEN IN THE ARTS IN EARLY MODERN EUROPE
1490-1700

Complied By:

 Julie Maia
Departments of English and Women's Studies
West Valley College
julie_maia@westvalley.edu
 

 

 Erith Jaffe-Berg
Department of Theatre, Faculty of the Humanities
Hebrew University, Jerusalem
(Currently an independent scholar living in California)
eandaberg@hotmail.com
 Sister Theresa Lamy
Department of Classical and Modern Languages
College of Notre Dame of Maryland
tlamy@ndm.edu

 

 Marjorie Och
Department of Art and Art History
Mary Washington College
moch@mwc.edu

 

 CONTENTS

Acknowledgments and Introduction
Women and Power
The Monarch: Empresses and Queens
The Warrior Woman: Amazons, Knights, and National Heroines
The Woman of Mythic Power: Goddesses, Gorgons, and Fairy Queens
The Ideal of Chastity: Heroic Virgins, Chaste Wives, and Victims of Rape
Women and Knowledge
The Learned Lady: Courtiers, Scientists, and Translators
The ProtoFeminist: The Querelle des Femmes Tradition
Women and Art
The Actor: Women in the Theater
The Artist: Self-Portraits in Art
The Author: Self-Fashioning through Literature
The Muse: Idealized Love and the Petrarchan Tradition
The Musician: Composers and Performers
The Patron of the Arts
Women and Religion
Biblical Typology: Eve, Mary, and Mary Magdalen
The Spiritual Pilgrim: Preachers, Nuns, Martyrs, and Saints
Women and Family Life
The Wife and Mother
The Daughter and Sister
The Maidservant
Friendships among Women
Women and Transgression
The Cross-Dressed Woman
The Temptress: Courtesans and Prostitutes
The Conspirator and the Criminal
The Witch
Bibliography
Primary Sources
England
France
Germany
Italy
Netherlands
Spain
Secondary Sources
Art History
English Literature and History
French Literature and History
Italian Literature and History
Spanish Literature and History
Theater Arts
Interdisciplinary References